Girl, Boy, Bakla, Tomboy - An Official Entry to the Manila Film Festival 2013

My first share of MMFF2013 movie was Direk Wenn Deramas' Girl, Boy, Bakla, Tomboy starring Vice Ganda. When it was anticipated that the latter will be doing Sisterakas sequel, with Kris Aquino and Ai-ai delas Alas similar to last year, a solo movie with four different characters was offered to him. 

According to showbiz news, the role was initially offered to Sweet Lapus but eventually given to Vice Ganda. 

Girl, Boy, Bakla, Tomboy maybe one of Direk Wenn Deramas' signature uplifting the gay/LGBT community to another level after doing Bekikangs. 



I would say that this movie was similar to Bromance with a twist of four characters instead of two. While Bromance was a rivalry between two brothers separated and got back together, this movie quadrupled the story with four different sexual preferences. 

Girl, Boy, Bakla, Tomboy is a story of betrayal, forgiveness and moving on. A loving mother (Maricel Soriano), a cowardly father (Joey Marquez) and the quadruplets (Vice Ganda) who portrays a girl who claims to be a model, a boy who claims to be a racer with Hepatitis, a bakla (gay) who's bitter since their father left them, and a tomboy (lesbian) who claims to be a singer with anemia. 

Four of them were separated the moment their grandmother (Joy Viado) flew to the states with the two babies who apparently were raised to be girl and boy. The other two were left behind with their mom, grew up in the farm and became bakla and the other a tomboy. 

The reunion was staged when Peter (boy), needs a liver transplant and Mark (tomboy) was the only compatible twin.

The plot heated when unsettled differences and issues were raised, and their parents' unresolved issue was added.




In case the movie was starred by Sweet Lapus, will it have the same impact to the viewers? I, personally would say YES! The fact that Direk Wenn Deramas can wave his wand to make an experimental movie to a blockbuster. No doubt the ratings would still be the same. He already did it when Zanjoe Marudo takes on Bromance. 

On The Job: A Disturbing Philippine Power-Cycle

A friend of mine had a chance to watch On The Job on its premier and gathered praise. I was asked to watch it since the film as he quoted: 

"Its-so-you.."

Finally, a rainy Sunday still unable to get out of Glorietta, we decided to take a peek.

On The Job begins with clips of recent news going on in the Philippines. As the movie gets timely, it holds an aura of not being sensational. With the issues confronting the country the film’s significance is impossible to notice. It illustrates how the politicians and criminals work hand in hand to achieve power, position and money.

Director Erik Matti gave in to a political underground story this time dealing with authority, politicians and position but his signature with how the Filipino family bond has never changed. Thanks to our corrupt penal system they’re regularly let out of prison to act as contract killers with the perfect alibis.

Though the film was slow at first, it maneuvers to cover each and every aspect of the story. Tatang (Joel Torre), a prisoner-hitman who eventually turned insecure when his boss Thelma informed that he can’t work full time due to his age portrays more than the murder. The darkness in his eyes conveyed more about his character than the conversations did. His assistant Daniel (Gerald Anderson) played a very talkative rookie following Tatang's footsteps. His character was more of a naïve prisoner who has a bit of an attitude. These two characters played major role as prisoners who gets out from jail time to time killing. As inmates, they share the father and son relationship.

The film was widely arranged where jail wardens also act as accomplices.

The cast of SPO1 Acosta (Joey Marquez) was played brilliantly. An SPO1 with 35 years of service stayed as SPO1 since he turned out to have the cleanest conscience. Integrity was challenged when he became the aid of Francis Colonel Jr. (Piolo Pascual) who takes part by being an NBI agent who’s entrapped by being an excellent cop, compromised by being a son-in-law of a politician (Michael Demesa) indirectly involved with the killings masterminded by Gen. Pacheco (Leo Martinez).

The love scenes portrayed were also timely and sensible still; the story remains intact despite the diversions. Angel Aquino, Rayver Cruz and Lito Pimentel also delivered well.

"On the Job" is a cynical, realistic portrait of PHL politics and crime.

Be warned: the film does not end on a hopeful note. It may even make you rather sad and ashamed at how real the film feels, especially in light of the country's current events.

But when people urge you to watch On the Job, do it. A film like this, an uncompromised commercial success, hasn't happened in a long time, though now that it has, our standards are irrevocably raised. - Adobo

All we need to do now is to wait for the film's international version.